• colja de roo masker 1
  • abstract zwart in wit
  • Jos van den Berg Sumatra
  • bronzen paard
  • grafiek
  • stad aan water
  • abstract kleur
  • vrouw
  • Dabe art wood sculpter
  • Jos van den Berg zandstrand Molukken
  • Dabe art wood sculpter
  • paul padding torsend dier
  • arie dubbeldam abstract 2
  • ine van den heuvel 1
  • koeien 1
  • groene ogen
  • Frankrijk
  • dans
  • cor zeegers de jong abstract 1
  • Begin van de weg
  • paul padding babylon
  • 2 vrouwen in blauw geel
  • paard en mens
  • objecten tuin
  • Ine van den Heuvel 3
  • Dordrecht Nieuwe haven
  • Ine van den Heuvel 4
  • abstract 1
  • dordtse daken
  • arie dubbeldam
  • cor zeegers de jong abstract 2
  • stad aan rivier
  • zwartwitte vrouw

Dabe - Art

Dabe-Art .org Beeldend Kunstenaars

Wood is a common material for artists to express their understanding of the world.But wood is not the easiest material: it is not homogenic, it demands lots ofattention and skills and you cannot do copies for increasing thebuisness. Why do I use wood after all? Besides hard and splinterybeechwood?

Thework is risky and tedious, demands concentration and sensitivity for thematerial’s structure – thus challenging craftmanship. Together with the subtletexture and unexitedly tint of beechwood that makes it my favourite material.Beechwood allows undisguised view towards the form language. The shiny smoothsurface means a distance to „harsh“ nature to me. The outcoming piece is apicture, not a copy.
Thetactile dimension: There is this invitation to the spectator to touch, to feelthe inherent stored warmth of the sun deep inside of the material.  Theincorporated strings and muscles can be touch and open another dimension tophantasy.

Subjectfollows function. My abstract – as well as the anthropo- and zoomorphicsculptures emerge from the curiosity what other structures evolution could find– or improve – to add another niche in nature.

Imostly work without preceding drawings und start to work unintentionally; the„idea“ evolves during the progress – the work is the result of an undeterminedprocess that is condensed to an aim quite late.

I am using the traditional tools: saws, mallet and chisels, rasps and files.Additionally electric drills, multitools and sanders. But the last 30% of thework is smoothing and sanding the surfaces manually with sandpaper until itgets that certain shine.



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